Really enjoyed this RadioLab.
Typical rehearsal arguments about tempo ("too fast/too slow") are usually based on an assumption about what the music should convey. When we have clear (metronome) indications from the composer, perhaps we should rather ask what the tempo he or she gives would convey and give thought to whether, perhaps that is in fact what was meant to be conveyed, even if this is not what we are accustomed to or had previously felt.
Rather than figuring out how to make the music answer our own questions, we can ask if the music as written is already the correct answer to some other question.
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